Harps Nouveau Publications

Abrasive Cord


For harps that repeatedly break the same string
Use to remove burrs from eyelets, bridge pins and tuning pin holes.
One piece of each of two different sizes included.
As recommended in TROUBLE SHOOTING YOUR LEVER HARP by David Kolacny which is also sold on our website.

Introduction To Harps by David Kolacny


Offers simple illustrated answers to the questions we so often hear. It includes, "What is a harp?", the basic harp parts, size, range string spacing, tension, soundboard and body types, sharping levers and more! A revised edition of THE HARP HUNTER'S HANDBOOK originally published by Paradise Music. 16 Pages 8.5" by 5.5"

Trouble Shooting Your Lever Harp


By David Kolacny
What To Do When The Repairman is 1,000 Miles Away. This comprehensive manual is intended to help harp owners evaluate and correct minor problems with their instruments, and understand major problems which may need professional repair. It includes such baffling subjects as strings (types, slipping, breaking), buzzes, harp parts (soundboards, necks, wood, joints and bracing), and pins (bridge and tuning). There is a huge section on various types of commonly found sharping levers (such as Loveland, Triplett, Lyon & Healy, Performance, Truitt, Robinson, and Salvi) and how to adjust them. 24 pages, paperbound. Abrasive Cord that is recommended in this book is also available on our website

25 EASY STUDIES


25 EASY STUDIES By Alfred Kastner revised and edited by Kathy Bundock Moore. Brings these well known, usefull old studies up to date for new harpists. Progressive and well balanced. LEVER OR PEDAL HARPS, BEGINNER TO INTERMEDIATE, 45pp.

A HARPIST'S SURVIVAL GUIDE TO GLISSES - Kathy Bundock Moore


Pedal charts for all kinds of glisses. Almost 300 pedal charts; easy access to desired chord/gliss. This book should always be with you. PEDAL HARP, 29pp.

BODY, MIND AND MUSIC


By Laurie Riley
A Practical Guide To Musical Wholeness
8.5" X 11" 112 pages
PART A: MUSIC AS A CONNECTION WITH SELF.........................................................1

  CHAPTER 1 - MUSIC IS OUR BIRTHRIGHT...................................................1
  CHAPTER 2 - MUSIC KINETICS.................................6
  CHAPTER 3 - MUSIC AS A LANGUAGE............................9
     Processing Music........................................9
     Is Notation "The Music"?...............................10
     Knowing Your Music Intimately..........................11
     Repertoire -The Vocabulary of the Music Language.......11
     Mastering Styles - Dialects of the Music Language......13
     Sight Reading the Music Language.......................14
     Fake Books - Outlines of the Music Language............15
     How to Practice........................................15
     Overcoming Blocks to Musical Progress..................16
  CHAPTER 4 - THE MUSICIAN'S BODY........................................................19
     Common Problems........................................20
     Health.................................................21
     Diet...................................................22
     Exercise...............................................26
     Rest...................................................27
     Moderation and Stress Reduction........................28

PART B: MUSIC AS A CONNECTION WITH OTHERS...................31

  CHAPTER 5 -INSPIRATION....................................31
  CHAPTER 6 - EMOTION.......................................34
  CHAPTER 7 - ATTITUDE......................................37
    The Guru Syndrome.......................................37
    Moving Into Yourself....................................38
    Sharing Rather Than Showing.............................39
    Imperfect Situations....................................40
  CHAPTER 8 - THOUGHTS ON TEACHING..........................41
    The Art of Teaching.....................................44

PART C: MUSIC AS THE UNIVERSAL CONNECTION...................45

  CHAPTER 9 - THE QUANTUM CONNECTION........................45
    Sound and Matter........................................45
  CHAPTER 10 - BODYMIND STUDIES AND THE WHOLISTIC CONTINUUM.50
    Psychoneuroimmunology...................................51
    From Myth to Reality - Music's Role in Healing..........51
    Effects of Toning.......................................61
    Paradigms I,II,III......................................61
    Complementary Health Care Modalities....................63
    Music and the Bodymind Approach.........................70
    How the Mind and Body Interact..........................71
  CHAPTER 11 - A NEW AND ANCIENT ART - THERAPEUTIC MUSIC....73
    An Intensive Care Experience............................73
    Service vs. Performance.................................74
    Uses of Therapeutic Music...............................76
    Caring Music - Different Styles for Different Patients..77
    Modes...................................................81
    Experiences of Music Practitioners......................83
    Vibroacoustic Harp Therapy..............................89
    Training Programs:......................................90
    Membership Programs:....................................90
    Subscription Publications:..............................91
    Ethics..................................................91
    Sound Pollution.........................................92
    Live vs. Recorded Music.................................93
    Acoustic vs. Electronic Instruments.....................94
    The Human Voice.........................................95
    Music as Self-Help......................................97
  CHAPTER 12 - RESEARCH.....................................99
  CHAPTER 13 - HONORING THE CONNECTION - A PERSONAL MISSION.102
    Music In Clinical Settings..............................102
    More Remarks on Music as Self-Help......................104
    The Feedback Loop: Our Bodies and Our Music.............105
    We Can All Contribute...................................105
ENDNOTES....................................................106
#HN008$30.00

CADENZAS TO CONCERTO FOR FLUTE AND HARP K. 299-MOZART


By Kathy Bundock Moore
These cadenzas were written after extensive research into Mozart's cadenza style.

CONCERTO IN C MAJOR (Harp Part)


PLAYABLE ON LEVER HARP
ANTONIO VIVALDI; CONCERTO IN C MAJOR (RV534) Arranged by Kathy Bundock Moore A FUN CONCERTO PLAYABLE ON LEVER HARP!
Designed for intermediate harpists and orchestra. Can be played with string quartet or quintet, organ or piano. Delightful and useful.
Lever harp/pedal harp part: 9pp.

Concerto In C Major (Piano Reduction)


Composed by Antionio Vivaldi
Arranged by Kathy Bundock Moore
Arranged for Harp and String Orchestra
Also Available : Harp Part and Score with Parts

Concerto In C Major (Score and Parts)


Composed by Antonio Vivaldi
Arranged by Kathy Bundock Moore
Arranged for Harp and String Orchestra
Also available: Lever/Pedal Harp Part and Piano Reduction
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